“She’s so badass,” Bridgers told me later. Backstage, she shared a dressing room with the seventy-four-year-old soul singer Bettye LaVette. A thin headband pushed her white-blond hair from her face. Already, it felt resonant.īridgers, who is twenty-five, wore a tea-length black dress and high-top Doc Martens. ![]() The text is intended to coax a consciousness through the foggy space between death and rebirth. ![]() Early in the evening, the artist and musician Laurie Anderson performed several pieces from her album “Songs from the Bardo,” in which she narrates sections of “ The Tibetan Book of the Dead” in a gentle, steady voice. New York was not yet fully in the grip of the coronavirus pandemic, but a diffuse anxiety was nonetheless in the air. In late February, the singer and songwriter Phoebe Bridgers appeared at Carnegie Hall as part of a benefit for Tibet House U.S., a nonprofit founded by the composer Philip Glass, the actor Richard Gere, and the Buddhist scholar Robert Thurman. This content can also be viewed on the site it originates from.
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